Ballet Dancers’ Injuries
Why is it that dancers continue dancing when they have an injury, which risks making it more serious?
Truth be told, there are all kinds of reasons why dancers won’t to “give in” when injury threatens.
Most dancers are taught that pain is good, because muscle soreness after a workout is seen as a good thing. If you do a ballet class and don’t ache the following day, you didn’t try hard enough! The problem is, it means we dancers learn to have a high threshold for pain, so when bad pain comes along – due to an injury – we (mistakenly) interpret it as manageable.
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That’s especially the case when it comes to pointework – which even when it’s going right, can be painful for some dancers. I’m lucky that I have a square foot so I tolerate pointework well, but not every girl is so lucky.
For professional performers, there are other reasons to resist taking a break for an injury. Professional ballet is a competitive business – if you take a break to recover, other dancers will land that plum part or perform that coveted solo, and you may have an uphill battle to break back in when you get back to fitness. Anyway, some dancers are paid by performance – if you don’t perform, you don’t get paid!
The final explanation, and a fundamental one, is poor nutrition. There’s plenty of debate in the major ballet schools and companies about fostering healthy body image – but in reality, there’s not much indication that the culture has changed. There’s still pressure on girls to be skinny.
Many female ballet dancers are chronically underweight, to the point where their menstrual cycle ceases (as happens in anorexia), and it’s not only because they exercise so intensively. Often their diets are restricted or unbalanced, with insufficient protein or fats to keep muscles and bones healthy. Far too many girls eat like a sparrow at mealtimes, and snack on chocolate between classes to keep themselves going.







